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The Graft Blog

Just some scribbles along the way.

From our Australian correspondent: Aphelion by former 'Young Gun of Wine' Rob Mack

28/2/2020

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Husband and wife team Rob Mack and Louise Rhodes started Aphelion Wines in 2014, but the idea had been fermenting in their minds since sharing a revelatory bottle of Barolo in 2005. Several jobs in the industry and one winemaking degree later and they were ready to move back home from Sydney to South Australia.
 
Oli North caught up with Rob, Louise (and Sari the dog!) in Willunga at their sitting room-cum-cellar door recently, just before the 2020 vintage got underway…


2014 was your first vintage I believe, how did you start off?
In the first year we took one tonne of Grenache from the same vineyard where we still get the majority of our fruit. I made four different wines – 100% whole berry fermented, 50/50 whole berry whole bunch fermented, one from pressings, and also a combination of the three.

Where do you make your wine?
We process at Haselgrove Winery in McLaren Vale. They have a small destemmer, small press and we can keep the barrels there too.

Have you changed much in terms of the winemaking since the beginning?
We always tinker around the edges with different processes, picking times etc. But in terms of style the wines, particularly Grenache, have stayed true to the medium bodied, aromatic style that we wanted from the start.
 
Why McLaren Vale, and why Grenache?
I grew up just north of McLaren Vale so I know the area very well from my childhood. It has a great mix of small producers who are really pushing the boundaries of a traditional grape growing region.
 
Grenache is a versatile grape which lends itself to many winemaking techniques such as whole bunch fermentation and extended time on skins. The aromatics of Grenache can be stunningly complex and alluring, and the medium bodied nature means they can be approachable when quite young. The combination of the region and the variety are perfect, the Mediterranean climate of the Vale is ideal for Grenache.

How many growers do you work with?
We work with four growers, two of which are in Blewitt Springs, where we source most of our Grenache. We only work with growers who keep spraying at a minimum, all of our growers could be certified organic using their current processes, however none are currently.
 
Would you look to have your own vineyard(s) in the future?
We have a long-term plan to purchase a small old vine Grenache vineyard. However we’re very specific on our requirements, so this may be a very long-term plan!
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Can you tell us a bit about the vineyards used for the Confluence and Affinity?
These two wines are what we are known best for. The Confluence is a 100% Grenache wine with fruit sourced entirely from two vineyards in the Blewitt Springs sub-region of McLaren Vale, which has the highest quality and oldest Grenache vines in the area. One vineyard is 85 years old, the other is 45 years old and dry grown. 
 
The Affinity is our Grenache, Mataro, Shiraz blend. The Grenache is sourced from the same vineyards as the Confluence, the Mataro from three sites across McLaren Vale and adds intensity and structure, and a splash of Shiraz from central McLaren Vale gives the palate some roundness.
 
You've recently released single-variety Mourvèdre, aka Mataro, and Sagrantino.  What do you think about the potential for these grapes in McLaren Vale?
Both of these varieties thrive in the heat, and in warm years in McLaren Vale they excel. They hold their acid really well during the ripening period so they produce lively wines with intensity of flavour. We only produce small amounts of straight Mataro (called Emergent) and Sagrantino (Ardent), and they are starting to develop a bit of a cult following amongst our customers.

And four interpretations of Chenin? Is that something you'll continue every year?
We have two Chenins that fit in to our core range – Kryos, from the Adelaide Hills (our only wine outside the McLaren Vale region). And Pir, from Blewitt Springs in McLaren Vale.
 
Because I love to tinker we did make two other single-barrel Chenins in 2019 but we probably won’t repeat them every year.

Different winemaking used on the same grape is something that seems to particularly interest you?
Yes, from our first vintage in 2014 we’ve been experimenting with our Grenache parcels every year with different production methods to achieve as much complexity as possible. But every variety I work with I try to impart subtle differences in processes, I love to have many different batches from different sites and processes to work into the final blends of our wines.

You don't seem to have hard and fast rules for elevage from year to year?
We’re very flexible each year on how we treat the fruit depending on the vintage. For example, I like using a lot of whole bunch fermentation but in 2019 the stalks were very green and astringent so we pulled the whole bunch portions back or didn’t use any at all in some cases. 
 
Oak is very dependent on the variety, but it is always French or Austrian. We use very little new oak, I purchase a new demi-muid (600-litre barrel) every second year. 

Shiraz goes into our new barrels, then after a couple of fills Mataro goes in there, and then finally Grenache. We don’t use any new oak for Grenache, only older puncheons and 2,400-litre foudres.

What is your approach to sulphur?
We sulphur after malo which is enough until bottling at a pretty low free sulphur level, usually around 25ppm. Small amounts of sulphur are important for the preservation of our wines in bottle but we believe in using the smallest amount possible to achieve the desired level of stability.

And do you ever acidify?
Most of our grapes being well suited to the Mediterranean climate here don’t need acidification, even in warm years.  The one exception is Shiraz which may need a small amount of acid adjustment in hotter years.

How have the last few vintages looked for you? And 2020?
2017 was a cooler vintage which resulted in wines with a lighter body and great aromatics. Grenache was particularly strong in 2017. 
 
2018 was warmer so the wines have more weight and concentration, but the Grenache still retained its beautiful aromatics – a classic year. 
 
2019 had some vicious heat spikes during ripening and yields were well below average. The resulting wines were intense but perhaps lacked the delicacy of the previous two vintages. 
 
2020 so far is shaping up to be a very good year, however with a dry winter yields will be similar to 2019. Most of January and February have been cooler than average so it will be a slightly later than average harvest with some great flavours.

What do you think is exciting for the future of McLaren Vale and South Australia more generally in terms of grapes and regions?
McLaren Vale has a strong Italian history with many migrants planting grapes here in the 1920s and 30s. The new wave of varieties in the Vale are predominantly from Italy – Montepulciano, Nero d’Avola, Fiano, Vermentino. Exciting times as these varieties can cope with the warm climate very well. 
 
South Australia as a whole is embracing the planting of new (to Australia) varieties to future-proof the industry against the impacts of climate change.

Can you tell us a bit about the labels and the design process?
Louise is responsible for most of the design and ideas for our labels and packaging. The labels are based on a photographic process called cyanotype where an item is photographed and a blue wash is used during the processing. It results in the feather we used being white and the blue wash as the background.

Finally, what new stuff for Aphelion do you have in the pipeline?
We will be producing our first Nero d’Avola in 2020, which I’m very excited about. The freshness and drinkability of this variety is amazing and it certainly fits with our ethos of working with varieties that suit our region. We are also producing a Malbec from Langhorne Creek which is part of a project called 5255.*
 
Our other goal for the next few years in increasing our presence in international markets. We currently export to the UK, Hong Kong, Canada and the USA but we will be working to hopefully see our wines in many more countries around the world!
 
*Rob is one of three winemakers to be selected for this project in Langhorne Creek this year. More information can be found here - https://www.langhornecreek.com/project-5255

by Oli North
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From our Australian correspondent: the Sigurd wines of Dan Graham

12/2/2020

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Dan Graham in the winery with his Clare Valley Chenin Blanc
Our erstwhile colleague Oli North recently caught up with Dan Graham, winemaker of Sigurd Wines, and his dog Clive (see photo below). They met at Dan’s winery outside Tanunda, which he shares with David Geyer, to taste the latest releases and chat about the past, present and future of Sigurd...

What was your background working in wine before starting Sigurd?

I grew up with wine around me in Griffith NSW, a large winegrowing area where my father was a winemaker. It was a big change to what I do now with small batch minimal intervention focused wines! I studied winemaking in Wagga Wagga and then started cruising around the globe working vintages and the snowboard season, before coming back and starting up here.

What wines did you start with, and how has it grown?

Sigurd was started in 2012 when I produced my first wine, which was actually never released. It has grown really well and organically, so I finally went out on my own in 2017. I’ve gone from 2 tonnes to now around 30, which is sustainable for me.

The first wines were the Red and White blends, a GSM and a Riesling/Gewurtz. I was playing with more whole bunch with the reds than you might see around here, and a little skin contact with the whites. It started me off on the path I am on now - always experimenting.

I have always bought fruit for Sigurd, dealing with good mates from Hockey that grew grapes in the start and still working with them, I do lease a small plot in the Southern Barossa of Syrah.

Anything you're doing differently now compared to the beginning?

Not a huge amount, I was working in large wineries at the start so had a pretty strict idea of how you should make wine and I guess from 2013 to now I have found what works for me through trial and error, also a lot of experimentation, and drinking a lot of different wines.


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How have the last few vintages been?

2017 was a great harvest for us as it was a really fresh vibrant year for the Barossa, great natural acidity and freshness. Though from there a few dry winters have made it pretty tough going, it is something you always need to be prepared for and take each season as a new start otherwise you get left behind and always chasing your tail in regards to quality. Always being out in the vineyards is great for making quick decisions and getting things right.*

Old-vine Clare Valley Chenin is not something you see all that often. Can you give a bit of background behind vineyard?

The Chenin is around 58-years-old now, the vineyard owner has had the plot for about 30 years. The block is an anomaly to me, it retains great acidity and expression even during the heat, and it’s quite far north in Clare, so a bit cooler. I am amazed that so much was pulled out, but I guess when the Chardonnay craze came it was a pretty simple decision for a vineyard owner.

The soil is a red rocky loam over a white clay loam, there is a creek running through the middle of the block. There is also quite a lot of Riesling on the block which also produces some great wines.

And what about the vineyards for the other wines?

Most of the vineyard areas around Barossa are characterised in a few soil types really. The Riesling and Gewurz I get from Eden Valley, lean granitic soils with a light loam, it gives great acid and finesse and very pretty wines.

Syrah, Semillion, and Sauvignon Blanc come from around Williamstown, mostly ironstone rocks and red loam over light coloured clay, the wines are rich aromatically and with good acid.

Other reds are from the Northern Barossa; iron loam over deep clays, the soil give very intense wines, with a lot of depth, tho’ they can sometimes lack acidity.

What's your 'philosophy' regarding elevage and oak?

This is definitely dependent on the year. I am a believer in using new oak but in respect to the strength of fruit used, you have to be careful not to overpower it. I have been slowly building up the quantity of large vats to retain more fruit intensity over time as well, a slow process as they do cost quite a lot!

Elevage is really based on the wine, it can vary from a few months to up to 16 months. Some of the drier years we have bigger structure and these need more time to soften out.

And what about sulphur?

I follow the certified organic rules regarding sulphur. But if the wine’s looking stable I’ll go less, if less stable then closer to the organic guidelines, which I think are pretty generous anyway. Hoping to one day have a crack at zero sulphur but I feel I would need my own winery and vineyard to really achieve that dream.

Climate change is obviously the hot topic of conversation regarding the future of Australian wines, how do you see this affecting you? Would you ever consider acidifying?

I have had chats with mates about this and the extent of the Australian wine scene of late, all this crazy weather is just making it more and more challenging to make wine in a warm region. I know of a few natural/minimal intervention guys overseas and here that 'touch up’ the acid in wines with very small additions. Currently I am just working on picking some very early grapes as an acid base and working around that, who knows where the climate is heading, best to be open minded and move forward.

Do you ever inoculate with yeasts, or for malo?

I have a strong belief to use the natural grape yeasts for fermentation and malolactic. I do really love the differences in site and even variety that the naturally occurring yeasts add to the complexity of the wines.

Why is buying organic grapes important to you?

Sustainability is definitely a bit part of what I was aiming for when I started Sigurd. That means a move to more sustainable agriculture and a big part of that is organic and biodynamic. It is a slow process as the majority of vineyards in the Barossa are conventionally farmed but slowly perceptions are changing and I can move closer to 100% organic fruit.

How much involvement do you have with the growers and their vineyards?

It has been a long road with in regards to working with growers and hoping to change perceptions about the "less is more" philosophy, but quite a lot of them have been receptive to it. It’s great to be able to drop off wines made from their vineyards and show them what I can do with a minimal intervention approach to winemaking. That really helps me to work more closely with them to produce better fruit, and to help to make the vineyards more sustainable for the future.

Would you like to have your own vineyard(s) in the future?

Bloody oath!

What do you think is exciting in terms of grapes, and areas, in SA for the future?

I have always had a big interest in southern French varieties,and also after my latest stint in Italy some of the central and southern Italian varieties. They have great acid retention and drought tolerance - things like Grenache Blanc/Gris and Macabeo are super interesting.

A lot of varieties like Trebbiano, Colombard, Chenin, Cinsault and Carignan which can retain acid were mostly pulled out and replaced during the mass craze of Shiraz. Hopefully with a new generation coming through we will see the revival of fruit that can respect the area and not need to be manipulated.

What if any changes are coming up for Sigurd?

Well I’m always experimenting, so there are always new varieties and trials coming up! One that I’m excited about is adding to my Hills range with a sparkling, so getting pumped for that!

Cheers Dan, and all the best to you and Clive for the vintage!



*Final note: It’s worth pointing out here that while the last couple of years in South Australia have also seen very hot, dry summers, for a variety of reasons this doesn’t necessarily translate to over-ripe wines. Dan’s most recent releases retain a lucent clarity and acid structure that belie their vintages.


Oli North

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Sauternes if you have to...

11/2/2020

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Sauternes time at Snobby’s in Bristol just before Christmas
Something is rotten in Bordeaux, and it’s not the botrytis. The Times today reports that Count Alexandre de Lur Saluces, doyen of the Château d’Yquem dynasty, is aghast at the “arrogance” of fellow Sauternes producers promoting the sweet wine as a cocktail mixer.

“Our wine is like an exceptional watch, a rare jewel, caviar, it is arrogant to pretend that you can improve our wine,” he protests.

The premise of Sauternes producers like Château Lafaurie-Peyraguey is adding the wine to cocktails introduces it to a wider markets of consumers. Their director David Bolzan says, “We are not doing this to improve the wine but to make its image more accessible.”

Sauternes sales have been falling but is this the way to reverse that downward trend? Who is right? I asked my colleague in Scotland, far better versed in matters like this, Chris McDiarmid.

“ Looking at what's trending in cocktails it's not really meshing. I think what’s happening out there is less about premium ingredients such as Sauternes and more about local and sustainable ingredients. So foraged stuff made into a tincture.”

But there must be some places that want to swirl some Sauternes into their latest cocktail? A premium up-sell?

“Maybe if you’re the American Bar at the Savoy, or another place that relies on history or another angle like that,” Chris reckons.

“However as a cocktail ingredient it's just too expensive and has too short a shelf life.”

So if not Sauternes, what is wine’s role for trendsetting mixologists?

“In terms of wine adds in cocktails, wine on draft and fortified are where it's at. Both don't go off in the same way, and can be added to a serve without the price getting crazy. Sauternes in a long drink? Ace. But not if I'm paying crazy money for it. Sherry or Ratafia in a cocktail on the other hand... That's another game all together.”

Hold the Haut-Bergeron, Mar 7 and David Levasseur’s Ratafia it is then.


Nik Darlington

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  • Home
  • Who We Are
  • Winemakers
    • Wednesday's Domaine
    • Argentina >
      • MAAL
    • Australia >
      • Ministry of Clouds
      • Murdoch Hill
      • Ravensworth
      • Sigurd Wines
    • Austria >
      • Andreas Gsellmann
      • Eschenhof Holzer
    • France >
      • Bruno Lafon
      • Château Haut-Bergeron
      • Clos Cibonne
      • Domaine des Carlines
      • Château Laballe
      • Frédéric Guilbaud Muscadet
      • Dominique Gruhier
      • Au Pied du Mont Chauve
      • Domaine Mathias
      • Kewin Descombes
      • Champagne Levasseur
      • Mary Taylor
      • Damien Pinon
      • Maison Ventenac
      • Domaine du Vieux Pressoir
      • Xavier Vignon
    • Germany >
      • Weingut Dr. Corvers-Kauter
      • Emil Bauer & Söhne
      • Weingut Frey
    • Italy >
      • Cantina Miglianico
      • Ca' di Rajo
      • Cà ed Balos
      • Sobrero
      • Cossetti
      • Noelia Ricci
      • Tempo al Vino
      • Tenuta Casenuove
      • Tocco
    • New Zealand >
      • Loveblock
    • Portugal >
      • A&D Wines
      • Adega de Borba
      • Mira do Ó
    • Slovenia >
      • Matic
    • South Africa >
      • Holder
      • Thistle & Weed
    • Spain >
      • Bocchoris Cava
      • Las Pedreras
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      • Mar 7
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